Expresso Leisure function on Late Pt Shiv Kumar Sharma


Here’s a Function on Late Pt Shiv Kumar Sharma from the Indian Express at 12:00 pm on 14th of Might, 2022

You might be listening to the Expresso Leisure Replace. Here’s a particular function exploring the lifetime of late Pt Shiv Kumar Sharma, dropped at you by The Indian Specific.

Pt Shiv Kumar Sharma, who exalted the santoor – as soon as a little-known trapezoid-shaped, stringed instrument – from the people circuit of Jammu and Kashmir and positioned it on the proscenium alongside different extra conventional and heavyweight classical devices such because the sitar and sarod, handed away in Mumbai after struggling a cardiac arrest. He was 84 and is survived by his spouse Manorama, and sons Rahul and Rohit.
However the path to proudly owning an instrument that has been an accompaniment for Sufiana mausiqi (music) for hundreds of years and turning it into one that may match into the complicated world of ragas, riyaaz and relentless critique — all this whereas creating slides and embellishment s like different string devices however not imitating them — was lengthy and arduous.

The challenges he confronted as he labored to put the santoor on the classical centre stage, Sharma would generally say, had been nothing in comparison with the meditative trance it supplied him. Within the course of, he created music that might be remembered for the creative inflections he created as he dealt with a demanding and tough instrument.
In a world that encourages slick branding, Sharma did the extraordinary – he made nice music with out speaking a lot about it.
Sitar exponent and Grammy winner Ustad Shujaat Khan, who knew Sharma intently, advised The Indian Specific, how Sharma was for him some extent of reference of dignity, grace and professionalism. Khan mentioned:“He was the voice that each Indian classical musician ought to have in his head. I’m not certified to touch upon his greatness – that’s for the world to see. I used to be not his scholar and didn’t study from him, however I’ve immense respect and affection for him and I pray that someday, I could be like him. After all I’m Vilayat Khan’s son, however temperamentally, I’ve all the time adopted Shiv ji. He was my final hero.”

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Sharma started studying music from his father, classical vocalist Uma Dutt Sharma, who labored as a music supervisor at Radio Kashmir in Jammu and later, Kashmir. The younger Sharma was, nevertheless, quickly drawn to the tabla and learnt the fundamentals from his father and started accompanying within the kids’s programmes on the radio station when he was about eight.
As soon as Uma Dutt was transferred to Radio Kashmir (Srinagar), he recommended {that a} teenage Sharma strive his hand on the santoor.

In contrast to different classical string devices which might be strummed with fingers or a plectrum, the santoor is performed with small mallets created out of walnut wooden. It’s mentioned to be the one string instrument that isn’t performed with one’s fingers and that makes it tougher to supply the exactness of microtones – the hallmark of classical music.
But Sharma caught to the instrument, actually nurturing the instrument on his lap. His first nationwide efficiency was in Mumbai, with the icons of classical music – Bade Ghulam Ali Khan, Vilayat Khan, Ravi Shankar, Amir Khan, Mushtaq Hussain, Omkarnath Thakur, Kesarbai Kerkar, Moghubai Kurdikar, Siddheshwari Devi and Rasoolan Bai, amongst others – in attendance. Sharma was then 17. It was across the identical time that filmmaker V Shantaram requested him to play the santoor in Jhanak Jhanak Payal Baaje (1955). Sharma composed a chunk that featured Kathak dancer Gopi Krishna in a seminal dance part from the movie.

Not one to be tied all the way down to a job, a younger Sharma left Srinagar for Mumbai, with Rs 500 in his pocket and santoor in tow. He struggled for just a few years earlier than managing to convey out a solo album in 1960. For a few years, he was a periods musician in movies (he performed tabla in Mose chhal from Chetan Anand’s Information) earlier than teaming up with flute exponent Pt Hari Prasad Chaurasia for an album, Name of the Valley (1967).

It was a novel experiment as a result of the santoor and flute, two people devices thought-about decrease down within the pecking order of classical music, had been enjoying raagdaari and hitting it out of the park. Provides from filmmakers adopted, main the 2 to workforce up as Shiv-Hari and compose music for movies equivalent to Silsila (1981), Faasle (1985), Chandni (1989) and Lamhe (1991), amongst others. The 2 had been to carry out a jugalbandi live performance this month at Bhopal’s Bharat Bhawan in what was being referred to as a reunion. In response to Pt Hari Prasad’s nephew and flautist Rakesh Chaurasia, “Since he was additionally a tabla participant, his accent of rhythm within the hammered melodies will go down within the historical past of classical music as a chapter that may be studied in nice element.”

Regardless of large success in movies, classical music remained Sharma’s focus and he carried the fragile santoor to live shows world wide. “Classical music is just not for leisure. It’s to take you on a meditative journey, ye toh mehsoos karne ki cheez hai (This needs to be skilled),” he would typically say.
For many years, Sharma’s santoor spoke a novel language, one which the world didn’t know earlier than him, one which was generally hymnal and on others idyllic, generally from a world of deep-rooted classicality and on others allowed one to navigate life’s chaos to be amid transcendental silence — the type that solely his music may generate.
The Governor of Maharashtra, Bhagat Singh Koshyari, in a condolence message, mentioned, “The information of the demise of Pt Shiv Kumar Sharma is stunning. He was instrumental in taking Santoor and Indian classical music to the worldwide stage. Pt Sharma was an ideal artist, guru, researcher, thinker and above all a kind-hearted human being. Pt Shiv Kumar Sharma mentored many disciples and enriched the world of music together with his multifarious contributions. I pay my respectful homage to Pt Shiv Kumar Sharma and convey my deepest condolences to Pt Rahul Sharma and to different members of the bereaved household.”

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