In 2018, the Tesuque Pueblo, a small Native American tribe primarily based exterior Santa Fe, New Mexico, was attempting to resolve what to do with their previous on line casino. The tribe had constructed a brand new, up to date gaming facility, and their financial growth board was contemplating changing their Fifties-era on line casino lot right into a water park, a ropes course or a glamping vacation spot. One other, nearly offhand suggestion the group entertained was opening a film studio.
New Mexico was rising as a manufacturing hotbed, luring movies and TV exhibits with a powerful tax incentive, deep crew base, sunny climate and brief flights to L.A. Netflix has dedicated to spending greater than $1 billion on manufacturing within the state and is increasing its studio in Albuquerque, and Common has pledged to spend $500 million. However along with the doable financial advantages for the Tesuque, the studio introduced the promise of one thing probably much more compelling — the possibility to have a hand in shaping the picture of Indigenous individuals onscreen.
“We will at the least be on the desk to assist information, to get away from the stereotypical Hollywood portrayal,” says Roman Duran, a member of the Tesuque Pueblo and the chair of the tribe’s advisory committee for the studio, which they named Camel Rock. “We could be, I suppose, an influencer is the terminology these days, and advocate for Native American illustration in any respect ranges.”
Earlier than the studio even formally obtained off the bottom, that they had a high-profile manufacturing of their house, Common’s 2020 Western Information of the World. That film, directed by Paul Greengrass and starring Tom Hanks, used the on line casino for prop storage, set building and manufacturing places of work, and constructed a tank within the car parking zone for a greenscreen sequence of a river crossing.
As a result of the Tesuque land is its personal nation, productions that shoot right here aren’t eligible for New Mexico’s tax incentives, however Camel Rock Studios shortly booked a long-term second tenant within the new AMC show Dark Winds, which constructed a backlot with a Navajo village, caves and a home for its lead character, Detective Joe Leaphorn. “What all people fell in love with was the truth that we have been in a position to shoot on tribal land,” says Chris Eyre, government producer and director of the present. “We’re placing cash right into a tribal economic system, diversifying their companies. If we’re going to make Native content material, let’s do it proper.”
Constructed on the positioning of a former on line casino, Camel Rock Studios has a backlot with greater than 100 acres of land in view of the Santa Fe Nationwide Forest and Sangre de Cristo Mountains.
Photographed by Damon Casarez
The studio is known as after Camel Rock, a particular pink sandstone landmark resembling a camel (its “head” proven) that has appeared as a setting in motion pictures and TV exhibits, together with the 1955 Jimmy Stewart Western The Man From Laramie and the animated Netflix present Bojack Horseman.
Photographed by Damon Casarez
Darkish Winds used the foyer of the previous on line casino, which has historic footage of the pueblo and work by conventional Tesuque artist Paul Vigil, for a scene set at a cultural middle.
Photographed by Damon Casarez
Props used for AMC’s Darkish Winds, which is predicated on a sequence of detective novels by Tony Hillerman set within the Navajo Nation throughout the Seventies.
Photographed by Damon Casarez
Areas within the former on line casino have been repurposed, with an previous bingo corridor exterior changed into a mill and, pictured right here, a former lounge getting used as a set decorator’s storage space.
Photographed by Damon Casarez
The previous ’50s-era on line casino entrance. “We’d wish to advocate for Native American illustration in any respect ranges within the movie trade,” says Duran. “We could be an influencer.”
Photographed by Damon Casarez
Duran and Mitchell exterior a set used for Darkish Winds. The Tesuque Pueblo thought-about constructing a water park or glamping spot earlier than deciding a studio would profit the group most.
Photographed by Damon Casarez
This story first appeared within the June 1 situation of The Hollywood Reporter journal. Click here to subscribe.